Traditional Indian Tabla with carrying bag, hammer and cushions. Ø Dayan: 19cm x 28cm high, 4.8kg / Bayan: 30cm!
Traditional Indian Tabla with carrying bag, hammer and cushions. Ø Dayan: 19cm x 28cm high, 4.8kg / Bayan: 30cm!
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About the product:
→ Name/ Type: Traditional Indian Tabla
🌍 Origin: North India
🪘 Family: Percussion – Membranophone
📐 Dimensions/ ⚖️ Weight:
- Dayan: Ø ± 19 centimeters (playing surface Ø15.5cm), 28cm height, 4.8kg
- Bayan: Ø ± 30 centimeters (playing surface Ø24cm), 28cm height, 2.9kg
🧬 Material: Wood, metal, and goat skin
🎶 Sound type: Clear, warm, and bright
📦 Packaging: Delivery includes the following items: bag (soft case), hammer, and pillow + tabla
🎁 Ideal for gifting or treating yourself!
👉 The tabla is a traditional Indian drum that plays an important role in classical music. It consists of a pair of drums, the larger Bayan and the smaller Dayan.
The Bayan is made of brass and produces low tones, while the wooden Dayan produces higher tones.
Known for its complex rhythms and interaction with other instruments, the tabla is used in both Indian classical music and other genres such as film music and folk.
🎵 1. The Dayan (right hand)
Material: Hard wood (sheesham, neem…)
Size: About 15 cm in diameter
Pitch: About 25 cm
Tuned according to the key of the piece
Produces melodic sounds (do, na, tin…)
🥁 2. The Bayan (left hand)
Material: Metal (copper), sometimes clay or brass
Size: About 20-25 cm in diameter
Pitch: Variable
Deep and modifiable sounds (ghe, ka, dhum…)
🎯 Other features
Skins: Two animal skin membranes glued (the outer skin is tensioned, the central skin contains a black circle called syahi that produces harmonics).
Tuning: With wooden wedges and a special hammer
Standard tuning: around C or D, but depends on the voice or main instrument
📋 Information sheet :
| Element | Detail |
|---|---|
| Name | Tabla |
| Origin | India (circa 13th - 14th century) |
| Family | Percussion (membranophones) |
| Composition | Two drums: Dayan (right) & Bayan (left) |
| Materials | Wood (Dayan), metal/copper/clay (Bayan), animal skins |
| Playing techniques | Fingers and palms (with precise strikes called bols) |
| Type of play | Soloist, accompaniment (voice, instruments, kathak dance) |
| Tuning | Using wooden wedges and a hammer |
| Music genres | Indian classical music (Hindustani), fusion, world music |
🧩 Type of play & Function
| Type of play | Detail |
|---|---|
| Soloist | The tabla can play complex rhythmic compositions |
| Accompaniment | For melodic instruments (sitar, sarod, bansuri…) |
| Vocal accompaniment | Classical music, bhajans, ghazals |
| Dance | Accompaniment of the kathak (classical Indian dance) |
| Improvisation | Very present – the tabla follows a rhythmic cycle (tala) |
📚 Anecdotes & Useful Info
The tabla requires years of learning (often in the form of guru-shishya parampara, master-disciple).
There are different gharanas (schools of style): Delhi, Lucknow, Benares, Punjab…
The tabla uses a vocal rhythmic language called bols, allowing rhythms to be taught orally.
📋 Information sheet on Indian percussion:
| Instrument | Family | Description / Note | Playing technique | Historical / Miscellaneous Info |
|---|---|---|---|---|
| Dholak | Percussion | Folk and classical drum from North India | Played with hands, right hand for high tone, left hand for low tone | Used in bhajans, qawwalis, and folk dances. Ancient origin, accompanies songs and dances. |
| Mridangam | Percussion | Classical drum from South India | Played with fingers and palms on different parts of the skin | Central instrument of Carnatic music, used in temples and classical performances. Ancestor of the tabla. |
| Tabla | Percussion | Double drum from North India | Played with fingers and palms on dayan (high) and bayan (low) | Emergence in the 18th century. Key to Hindustani music and popular/fusion music. |
| Pakhawaj | Percussion | Classical drum from North India | Played with both hands, precise strikes for complex rhythms | Ancestor of the tabla, used in dhrupad music. Cylindrical wooden structure with skins on both sides. |
| Khol / Mridanga | Percussion | Trapezoidal drum from Bengal | Played with hands, distinct high and low tones | Used in devotional songs (kirtans, bhajans). Traditionally made of wood and leather. |
| Ghatam | Percussion | Clay instrument | Played with hands and fingers, strikes on different parts to modulate the sound | Originating from South India, used in Carnatic music. Rounded shape producing resonant tones. |
| Khanjira | Percussion | Small frame drum | Played with fingers and palm | Drum from South India used in Carnatic music. Very portable, high-pitched and vibrant tone. |
| Morsing | Percussion | Jaw harp | Played by plucking the metal tongue with the finger while modulating the mouth | Used in Carnatic music as rhythmic accompaniment, often with mridangam or ghatam. |
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A question? A comment? | Order and delivery information
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