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Thangka (sacred painted wood panel) of GREEN TARA measuring 66 x 52 centimeters, incredible design in a pine wood frame, carefully hand-painted in beautiful shimmering colors!

Thangka (sacred painted wood panel) of GREEN TARA measuring 66 x 52 centimeters, incredible design in a pine wood frame, carefully hand-painted in beautiful shimmering colors!

Regular price €197,70 EUR
Regular price Promotional price €197,70 EUR
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    About the product:

    🛕 Name/ Type: Printed Thangka of Green Tara - Luxurious design and finish in a pine wood frame, with five (different) Buddhas, carefully hand-painted in beautiful colors.

    🌍 Origin: Nepal

    📐 ⚖️ Dimensions: ± 66 x 52 centimeters

    ⚖️ Weight: ± 2700 grams

    🧬 Material: Wood

    📦 Packaging: Individually - Wrapped in paper

    🎁 Ideal for gifting or treating yourself!


    🌟 Stories and Symbols

    Thangkas are Tibetan Buddhist religious paintings, made on canvas or silk, serving as supports for meditation, teaching, and devotion. Their history is inseparable from that of Tibetan Buddhism, traversing centuries and trials, including periods of repression when religious practice was forbidden or dangerous.


    📜 Origins and Influences (7th–12th centuries)

    • 7th century: Buddhism is introduced to Tibet by King Songtsen Gampo, notably through the Nepalese wife Bhrikuti and the Chinese princess Wencheng. This period marks the beginning of the spread of Buddhist arts, including religious paintings.
    • 8th century: The Indian master Padmasambhava (Guru Rinpoche) and the pandit Śāntarakṣita establish tantric Buddhism in Tibet. The first Tibetan Buddhist paintings appear, influenced by Indian and Nepalese traditions.
    • 11th–12th centuries: The earliest known thangkas date from this period, illustrating cultural exchanges between Tibet, India, and Nepal. These works serve as teaching aids for practitioners, often illiterate, by depicting scenes from the life of the Buddha, bodhisattvas, and mandalas.

    🛡️ Thangkas as Means of Preservation (13th–19th centuries)

    • 13th–14th centuries: Under the reign of Tibetan kings, thangkas become objects of devotion and teaching. Tibetan artists develop their own style, blending Indian, Nepalese, and Chinese influences.
    • 16th–17th centuries: Thangkas are used in monasteries for meditation and rituals. They depict deities, spiritual masters, and Buddhist teachings.
    • 18th–19th centuries: Thangkas continue to evolve, reflecting the political and religious changes in Tibet. They serve both as supports for meditation and as means of preserving the Buddhist tradition in the face of external challenges.


    🧭 Thangkas as Symbols of Resistance (20th century)

    • 1950: The Chinese invasion of Tibet leads to the destruction of many monasteries and the persecution of Buddhist practitioners. Thangkas, as religious representations, are threatened.
    • 1959: The exile of the Dalai Lama and thousands of Tibetans marks a turning point. Thangkas become symbols of cultural and spiritual resistance. Tibetan artists in exile, particularly in India, preserve and transmit this sacred art.
    • Today: Thangkas continue to be created and studied, both in Tibet and outside. They are recognized as an intangible cultural heritage, testifying to the resilience and richness of Tibetan Buddhism.


    🎨 Artistic and Spiritual Characteristics

    • Iconography: Each thangka follows precise rules for representing deities, with specific proportions and attributes.
    • Symbolism: Colors, shapes, and patterns have deep meanings, related to Buddhist teachings.
    • Function: Thangkas serve as supports for meditation, teaching, and devotion. They are used during rituals, ceremonies, and spiritual practices.


    🕊️ Conclusion

    Thangkas are much more than mere works of art. They embody the history, spirituality, and resilience of the Tibetan people.

    Through the centuries, they have endured trials, testifying to the strength of the Tibetan Buddhist tradition in the face of adversity.

    Even today, they continue to inspire and guide practitioners while preserving a precious cultural heritage.

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